Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...
The plot centers on Siwat, this wealthy model who’s hiding a scary secret: he’s got fire powers he can't control, and they're linked to his pulse. If his heart starts racing, everything around him starts catching fire, which has turned his life into a lonely, dangerous wreck. He’s desperate to find a fix, so he goes looking for the "Heart of Divine Magic," a mythic object hidden away in a lost place called Tambralinga. While he’s out there, he crosses paths with Khunkhao, a tough mountain rescuer who can control the wind. Khunkhao is the guardian of the city’s secrets and wants them to stay buried, so he and Siwat butt heads immediately. As they deal with old curses and other people with powers, they realize they aren't just rivals—they’ve actually been connected through multiple past lives. Seeing them go from enemies to realizing they’re soulmates is the best part of the show. There's also a third guy who’s friends with Khunkhao and can control water. It turns out this trio used to fight a literal devil in their past lives, and now they have to do it all over again in the present.
My main gripe is that there’s barely any actual BL content here. It felt like the romance only happened because the script said it had to, not because it felt real. The leads had okay chemistry, but for me to actually buy that they’re in love, I need to see that connection grow, even just a little bit. It’s a decent fantasy show if that’s all you’re looking for, but even then, a lot of the logic just falls apart. I’ll give them credit for the concept since it felt fresh and original, but they totally fumbled the execution. Siwat is chasing this city because his dad, Michael, made it his life’s mission to find a cure for his son there. On the flip side, Khun wants nothing to do with it because his own father died during that search. So, when Siwat asks for help, Khun tells him to get lost since helping Siwat’s dad is exactly what got his own father killed. The show jumps around between three different timelines, which is a total headache to follow. Plus, there are more than ten characters who seem important, but neither the messy plot nor the people in it have any actual depth.
The first six episodes were actually great at building up a mystery, but the ending was a total letdown. I get that they’re "soulmates," but you can’t just let the plot move on autopilot just because they recognized each other. I wanted to see some real struggle—the pain and the back-and-forth between their past and present selves. It felt like the writers suddenly looked at the clock, realized they only had two episodes left, and just sprinted through the finish line. There’s a bizarre time-jump and a doppelgänger bit at the very end that felt more like a confusing "what if" scenario than an actual conclusion. It just shows there’s still a long way to go when it comes to mixing ancient legends with modern storytelling.
This is an ambitious fantasy that looks great but gets tripped up by a confusing plot and a romance that feels like an afterthought. (4/10)
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