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Showing posts from November, 2020

Stop! That! Train!

Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...

Fortune And Men's Eyes

Whether we admit it or not, most gays have thought of stories involving prison. Some find the thought exciting, while others scary and repulsive. In fact, a lot of film makers have explored this theme to variety of degrees and I feel that this is the third film in recent times that I am seeing that explores the basic theme of sexual slavery to survive in the prison system. Young Smitty has just come to prison. His cellmates are Rocky, a "dangerous and unpredictable" 19-year-old; Mona, an 18 year-old, who is regularly abused by prison mates and Queenie, a flamboyant gay man. Rocky explains the system: Unless the kid places himself under the protection of a regular old man, in this case Rocky himself, who has a place in the power structure, he'll be the victim of gang rape by everybody else in the cell block. Queenie encourages Smitty to beat up Rocky and spread the news so he can win a better protector from amongst the "politicians" for his own benefit rather tha...

Wig (Documentary)

Personally, for me, documentaries have been a hit or miss. There has to be something interesting, attention grabbing for me to keep my focus on, otherwise I lose interest. For people who are familiar with Wigstock, the biggest festival and indelible part of New York’s drag scene in the ’80s and ’90s; this film would be jogging them back into memory lane. But in the spirit of honesty, it didn't do much for me. Club Pyramid used to be the biggest drag bar in town back in 80s. Wigstock was born when Lady Bunny decided to put on a show at sunrise mainly to show people that drag is perfectly suitable during the daylight as it is late at night. For some reason the festival ended in 2001, after it had grown bigger and better to a professionally-staged show. In 2018, Lady Bunny, along with Neil Patrick Harris and David Burtka, brought back Wigstock as a massive production on a rooftop at South Street Seaport’s Pier 17. Most of Lady Bunny’s contemporaries were there, as well as younger drag...