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Stop! That! Train!

By Golu
Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...
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Apenas Coisas Boas (Portuguese) [Only Good Things]

By Golu
This film is intriguing, engaging, erotic yet a mindfuck of a tricky flick. Honestly the first half of the film was quite visually appealing. The makers tried to make this an art film, but what the hell happened in second half. IT was like watching two different movies. Fro the lush landscapes of Brazil in the 80s to modern day times in the city, the film leaves viewers with a lot more question that answers. I mean, I can probably try and read online to make a sense of what it all meant, but then what's the point f I cannot understand while watching the film!!

Set in rural 80s, we meet Antonio (a hunk straight out of a leather bar) an isolated farmer who lives a quite mundane life. Fate makes him meet Marcelo, an injured motorbike driver, whom he nurses back to health. A worried affair starts between the two and they are having long slow-mo sex acts shown explicitly but also falling in love with each other with a lingering question of whether Marcelo will suddenly up and leave? But Antonio’s homophobic dad has sent a disruptor to his farm and things take a tragic turn. Antonio packs up the farm and drowns himself with a dead (?) Marcelo. The movie suddenly turns gears and we are now in an alternate universe? Or a dream? Or a nightmare? We jump to a much older Antonio, a successful artist living a huge house in the city. Marcelo has suddenly disappeared, walked away without telling and it seems that Antonio is relived he is gone. A few days later, Antonio gives away their dog to random gay couple and starts having an affair with his assistant, all the while the housekeeper wondering what happened? The film becomes thriller but just abruptly ends. 

Where did Marcelo go? Why did he leave? Is he alive? Dead? Living his best life in São Paulo? But then, the movie gets distracted because it’s more interested in showing Antonio having sex with his personal assistant and then running off to the woods to have group sex with men who mysteriously pop out of nowhere like horny forest spirits. This was the most bizarre ending honestly. It is a shame because when the film started off, I had huge hopes. Despite most of the scenes in the film being almost silent, there was a visual appeal to it all. In fact I thought the first few sex scenes were both emotionally and sensually charged, but the nude scene kept coming. The erotically-charged, somewhat hardcore sex scenes and oodles of nudity will certainly attract the gay crowd, but everyone would leave frustrated because of so many open ended questions. It is a shame because the artistic poetic first half wasn't bad at all. It was visually stunning and watching these two absolutely gorgeous men in their full glory was a feast for the sore eyes. Having seen the whole thing now, it feels like this is another skin flick that prides itself on being artistic, not porn, because it has tragedy and angst to accompany the nudity and sex. A beautiful story that had potential, that was ruined by the makers ambitious artistic aspirations. (4/10)
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