This is the second vertical AI BL drama I've sat through, and honestly I went in knowing better. I had it on while I was doing cardio at the gym, and what struck me was just how much the plot echoed the last one I watched. Same step brother romance angle, same mystery girlfriend showing up near the end, same extra guy pining after one of the leads. Genuinely the only thing going for it was the runtime, the whole thing wrapped up in forty five minutes flat. The setup kicks off with Finn moving schools because his mom just married into money. He finds out his new step brother Aiden goes to the same place, and he's warned to keep his distance from him. Their first run in at school is rocky, just like you'd expect, but there's this odd pull between them neither can shake off. Finn keeps telling himself not to read into it because Aiden's straight and openly homophobic. Things shift when some kids start bullying Finn and the student council president, Ryan, steps in to ...
The film starts usual with a thorough account of the mysterious early days of AIDS, reports about gay disease, how it was perceived and archival clips stress the homophobia that ran rampant amid the uncertainty of the disease’s transmissibility. Survivors recall in contemporary interviews the wrenching experience of seeing loved ones die alone. Scenes discussing the APLA’s hotline calls and the need for a buddy system for Aids patients ring home how strong the LGBTQ+ community is and had to be in the face of ignorance, fear, and stigma. “It was discrimination that killed many of us,” we hear at one point. The film shares the events through which celebrities and activists raised funds and awareness through the star-studded Commitment to Life galas thrown by APLA. The film acknowledges that the media coverage of AIDS chiefly sympathized with white gay men. In reality, it shows how much AIDS ripped through Black communities with the skewed media coverage partly to blame. So in an attempt to correct that narrative, the makers give time to people from Black, Asian, Hispanic, and Trans communities ensuring they get a chance to tell their stories. Commitment to Life also shows how stars like Liz Taylor and Joan Rivers were quick to come to the aid of groups like APLA, giving the cause a boost in support and placing it in front of the eyes of those seeking to ignore it. Equally, the film explores how the death of Rock Hudson gave a familiar face to the disease.
The film occasionally evokes an air of branded content as many APLA members speak to their history in their own production. However, the absence of an arm’s length removal remains notable. Queer people were and still are at the front lines of the fight against AIDS. This film salutes the people who fought for a community in need, and one can only share the appreciation. Although there is still scope for another feature to be made that delves even further into Hollywood’s response to AIDS by interviewing surviving key players, this film serves as a vital document commemorating the essential work of the APLA and LA’s community response to the height of the AIDS crisis. (5/10)
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