Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...
I’ve seen quite a few movies about priests taking advantage of young boys and the fallout that happens years later. It’s a heavy subject that’s been covered in documentaries, shorts, and full-length films, but sadly, there are so many of these cases out there that there’s always something new to learn. This particular movie calls itself fiction based on true events, and it follows a group of grown men who were abused by a guy named Father Preynat back in the day. It’s crazy to see how brave they are to finally bring charges, especially when you realize the Church knew exactly what was going on and just covered it up instead of stopping him.
The movie feels almost episodic because it focuses on three different guys and their own personal stories. First, there’s Alexandre, a successful guy with a big family and a nice life. He only finds the courage to speak up after a friend admits he was also touched by Cardinal Preynat at a youth camp. Alexandre meets with Cardinal Barbarin, the guy in charge, who actually sets up a face-to-face meeting where the abuser confesses. Alexandre almost wants to forgive him, but he’s still clearly messed up from it all. As his story gets out, we meet Francois, who feels like he has a new mission in life after hearing that Alexandre spoke up but didn't take any legal steps. Francois is the real leader here; he starts rallying people and pushes for legal action against the Church for letting this priest get away with it for thirty years. Because of him, nearly fifty other men come forward. Finally, we meet Emmanuel, who is the most visibly broken and angry of the three. He’s got a temper, drinks too much, and can’t really connect with anyone, so he still lives at home with his mom. The movie doesn't have a neat "happy ending," but it shows Preynat getting charged and Barbarin having to face the press, giving the victims a bit of closure.
The way the film links these three characters is really smooth, like a relay race where the baton is passed perfectly every time. It never feels like it's rushing through the facts or dumping too much info on you at once. You get a lot of detail about their lives now, their past trauma, how they told their parents, and that lingering fear of what people will think. While the movie doesn't pretend these scars will ever fully go away, you can see these men gaining a sense of power as they tell their stories and go after their abuser. There are definitely some disturbing flashbacks and frustrating scenes where the system tries to block them, but the movie never feels like it's trying to be sensational for no reason. Instead, it just stays focused on how these guys are finding their strength.
It’s definitely not an easy watch, and it really makes you think about the lifelong pain that comes from abuse. It might not be saying anything brand new about the subject of sexual misconduct, but it does a fantastic job of showing why it’s so important to speak out. The film is a bit long and moves pretty slowly, so you’ll need some patience to get through it, but a topic this serious needs to be handled with the kind of maturity and sensitivity that this director clearly has.
It’s a deeply moving and sober look at the long road to justice, reminding us that even though healing is a slow process, speaking the truth is where it all starts. (6.5/10)
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