Honestly I can't believe we're still getting BL series this bad in 2026. This mini series runs about 7 to 8 episodes with a total runtime of just about an hour and it is so boring that I genuinely struggle to find the words. The actors are awkward, the story is as basic as it gets and there is almost nothing about this show worth saving. The makers do try to stir up some drama here and there but even that falls completely flat. Ho Won is a 23 year old university student who spots a man sitting alone at a gay bar and gets attracted to him. The man is Min U, a 33 year old who brushes Ho Won off immediately saying he's too young. Ho Won lies about his age and since he's made a bet with the bartender that he'll get this man home before the night is over, he switches tactics and eventually the two end up at Min U's place and sleep together. Despite being complete opposites in every way there's some kind of pull between them and they go on a couple of dates. But t...
This film is the kind of slapstick comedy of errors, and to some extent, terrors, that occasionally bring a broad smile to the viewer’s face. Not to be taken seriously at all, a film like this is purely for entertainment purposes and entertainment it does provide. A light-hearted comedy with high farce, mildly progressive messaging, broad humour and slapstick gags, which also happens to have a ghost, this film brings laughs that are mostly effective. This film is remake of the Taiwanese film “Marry My Dead Body”, which I quite enjoyed actually.
After waking from a nightmare, the late Titi’s grandma is told by a spiritual advisor that her son has unfinished business, which is likely getting married to a man. She’s instructed to leave a red envelope that fate will deliver to the right groom. Enter Menn, a hapless police informant whose love life is even more tragic than his career. He stumbles upon the envelope and is almost forced in to the marriage. On their wedding night, Menn is stunned to find himself permanently accompanied by Titi’s ghost. What follows is a chaotic, comic partnership as the two try to uncover the truth behind Titi’s death, leading them into the orbit of a suspected drug lord. The duo help each other out. Titi wants to resolve issue with his ex-boyfriend only to find out that he was likely playing with his feelings and is actually straight. Together, they also try to figure out how did Titi actually die in a car accident and who was responsible, which turns out has links with the drug lord. Titi also has some unfinished loveliest with his father and needs him to forgive each other. The film follows how the two help catch the drug lord and resolve all Titi's issues so that he gets salvation. In the process Menn becomes a changed person.
The Red Envelope is patently ridiculous, comically overblown and absurdly camp. This film works largely because of the undying chemistry between the two leads. The rapport between them is palpable as Menn's prejudice gives way to care and he becomes accustomed to the presence of a ghost in his apartment, while Titi discovers things about his life that shatter his understanding of himself and his loved ones. Even the rest of the cast does a good job. While some of it got just a bit campy, it never lost its focus of telling a human drama. And the human drama was one of pain and hurt from the closest ones to us. If you are also expecting the story to be a BL, you are also going to be somewhat disappointed. It is not. Yet, it is a gay mythos that will, by the end, cause you to laugh, force you to think about death, and possibly make you cry. The story also does well to portray sexism and casual misogyny within the police department faced by the female police officer, who is one of the central characters. Less a rom-com and more a buddy cop bromance between the unlikeliest of partners, The Red Envelope tugs on the heartstrings. (6/10)

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