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Stop! That! Train!

Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...

Knochen und Namen (German) [Bones And Names]

I am really not sure what was this film trying to say! A film which is set more like a theatre/play sort of an environment had a few subplots going on and none of them come to a logical conclusion. Maybe the film, through its various characters, is supposed to examine distance and closeness in relationships, but the way it does is so uninspiring and boring. I mean, maybe it wasn't a bad film, but it was just plain boring.

The primary characters are Boris and Jonathan, a gay couple who have been together for a few years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. Boris is an actor who begins to confuse work and reality and Jonathan is a writer challenged to face his various fears, mainly of death. Boris is rehearsing for a film where he is supposedly cheating on his wife with a younger man, played by an actor Tim. Because of the strained relationship, Boris finds himself getting attracted to Tim in real life too. Jonathan is busy with his novel taking cues from their life and relationship. Their seemingly rock-solid partnership turns out to be surprisingly and unexpectedly vulnerable. In between this, we have Boris's niece, who is a teen who is dealing with relationship issues in her own way since her parents separated. She plays pranks, steals stuff etc. I am just not sure how this was relevant to the main story, but a good part is spent to that in the film. The film just ends abruptly after Boris comes back home having kisses Tim, maybe rethinking of his actions to save his relationship.

This was really a strange film. One of the official summaries of the film said that it is "A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other." I did not find it either funny, or sensitive. Yes it did focus on a relationship between a gay couple, or a budding new film maker trying to make a film supposedly taking a cue from her own life (the film that Boris is rehearsing for) or the nieces idiotic pranks; but what was the message being made here? I have absolutely no idea. The changing ambiguities of the couple's relationship are all over the place. Are they in love, are they falling out, are they bored, why can't they leave, where does Josie fit in all this, why does this film spend almost half of the duration in showing us a film's rehearsal etc etc; I have so many such questions. The lead actor playing Boris also happens to be the director of the film. Him and others do a good job as actors but I think, when it comes to basic story idea and execution, he fails miserably as a director. We are never clearly shown what the issue between the couple is. We never get to understand Jonathan's point of view in all this. The set designs are plain and col with all interior settings, this was truly an absurd film for me. As someone said, this film looks like was made for German gay hipsters, anreven then I would wonder if they would like the film. This, according to me, is again one of the case where the filmmakers are way too deep in thier heads, making a cinematic experience, and meanwhile ordinary audience like us are at a complete loss of what are we watching and why? Even the title of the film makes no sense to me. (2/10)

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