Honestly I can't believe we're still getting BL series this bad in 2026. This mini series runs about 7 to 8 episodes with a total runtime of just about an hour and it is so boring that I genuinely struggle to find the words. The actors are awkward, the story is as basic as it gets and there is almost nothing about this show worth saving. The makers do try to stir up some drama here and there but even that falls completely flat. Ho Won is a 23 year old university student who spots a man sitting alone at a gay bar and gets attracted to him. The man is Min U, a 33 year old who brushes Ho Won off immediately saying he's too young. Ho Won lies about his age and since he's made a bet with the bartender that he'll get this man home before the night is over, he switches tactics and eventually the two end up at Min U's place and sleep together. Despite being complete opposites in every way there's some kind of pull between them and they go on a couple of dates. But t...
This documentary shows the everyday experiences of the “muxes,” a group of homosexual, cross-dressing, and transsexual persons, who live their identities through a series of performative acts in the town of Juchitán. In doing so, they transgress the traditional roles and expectations that a patriarchal society has for both their men and women. Furthermore, their actions are presented in the film as everyday acts of defiance towards heteronormative patterns—that is, manners of interpreting the sexed body that have come to be considered acceptable by patriarchal societies.
On the sun-baked Isthmus of Tehuantepec in Mexico lies the town of Juchitan, whose population of indigenous Zapotecs have for centuries warded off numerous invasions to preserve their identity. Today, Juchitan has an additional, more notorious, identity, as a "queer paradise" famous for its Muxes, effeminate homosexual men whose socially defined role within the Zapotec culture pre-dates the advent of gay liberation. In this society, Muxes have traditionally filled the roles of sewing, cooking, preparation of celebrations and providing lifetime care for their parents. Likewise, the men we meet here are chefs, salon-owners, housekeepers and teachers, in addition to being inveterate fun-lovers and an acknowledged "outlet" for straight men in a culture that still values virginity in brides. However, all is not perfect in paradise, as director Alejandra Islas occasionally suggests in a frequently amusing way just how low the glass ceiling of acceptance might be for those who push too hard. The Muxes of Juchitan are proud of their identity, enjoy their lives, laugh at themselves as well as at "straight" society, and admit their own foibles freely. They call themselves "Authentic, Intrepid Seekers of Danger", and have banded together to lead the fight against AIDS in Oaxaca. They talk frankly about their experiences of acceptance and rejection, and their successes in finding freedom, love and delight in their special identity.
Being muxe is often confused with being transgender, but it is an identity specific to the Oaxaca region and the indigenous Zapoteca culture. Having a muxe person in the family has come to be seen as good luck and even a blessing. But life outside Juchitán is not always easy. As the film progressed, they indicated that it was obvious to them that the level of tolerance and acceptance towards the muxe was neither evenly distributed in the whole community nor equally present in all historical periods. The documentary also emphasizes the relationship between the muxes and their mothers, their many contributions to the community, their indisputable leadership in issues such as AIDS and STDs prevention campaigns. An interesting insight into a community that I did not know anything about and I would guess not many folks would either. (5/10)

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