This is the second vertical AI BL drama I've sat through, and honestly I went in knowing better. I had it on while I was doing cardio at the gym, and what struck me was just how much the plot echoed the last one I watched. Same step brother romance angle, same mystery girlfriend showing up near the end, same extra guy pining after one of the leads. Genuinely the only thing going for it was the runtime, the whole thing wrapped up in forty five minutes flat. The setup kicks off with Finn moving schools because his mom just married into money. He finds out his new step brother Aiden goes to the same place, and he's warned to keep his distance from him. Their first run in at school is rocky, just like you'd expect, but there's this odd pull between them neither can shake off. Finn keeps telling himself not to read into it because Aiden's straight and openly homophobic. Things shift when some kids start bullying Finn and the student council president, Ryan, steps in to ...
The year is 1992 and we meet young 22 year old man Allen who is due to return to Navy and how him and his family are going to miss each other but things are different this time. He is brutally beaten to death so bad that his body could be identified only by tattoos, when he was on leave in Japan. The news devastates his mother, Dorothy, which is made worse when she learns from a reporter that Allen was homosexual and he believes that his death was a hate crime down to a couple of homophobic crew mates. But if the Navy has anything to say about it, the entire matter will be swept under the rug. When she reaches her limit of not getting any satisfactory answers from Navy on details on what they are doing with the two officers arrested, she decides to take matters in her own hands. She and the reporter join forces to seek out the truth of what really happened even if the Navy are refusing to be helpful and are trying to cover things up. Their efforts will force the navy to reveal the truth.
The one thing that stands out about this movie is how everything has been handled with dignity and poise. At no point there is any hysteria or drama, even when Dorothy gets cross with the Navy on phone or in person. Everything is handled with restraint and respect just as a subject like this needs to be handled. A mother trying to come to terms with her son's secret and his death is not easy to deal with, especially when she herself has pre conceived notions about homosexuality. Eventually when layers are peeled and she realizes the truth, it is not about the sexuality but about why Navy is trying to cover everything up. You see relatives around her, who are more focused on not letting their image getting shattered rather than being sympathetic to Dorothy. The performances from everyone keep this film together. My one problem is towards the end when we see the history of the guy who killed Allen. I am not sure if thats true or not, but the makers tried to humanize the perpetrator of how he had an abusive childhood and how that be taken into consideration. I really did not like that because that just reiterates my belief even today that whenever there is a White killer, he is touted to have a troubled background just to humanize the person, whereas whenever a person of color is caught, the media is quick to portray the person as evil. And this was one thing That stuck out me. Despite this, I think the film is a decent watch. At places it may feel stretched, but don't forget it came out almost 25 years ago when such made for TV films were very few. (5.5/10)
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