Honestly I can't believe we're still getting BL series this bad in 2026. This mini series runs about 7 to 8 episodes with a total runtime of just about an hour and it is so boring that I genuinely struggle to find the words. The actors are awkward, the story is as basic as it gets and there is almost nothing about this show worth saving. The makers do try to stir up some drama here and there but even that falls completely flat. Ho Won is a 23 year old university student who spots a man sitting alone at a gay bar and gets attracted to him. The man is Min U, a 33 year old who brushes Ho Won off immediately saying he's too young. Ho Won lies about his age and since he's made a bet with the bartender that he'll get this man home before the night is over, he switches tactics and eventually the two end up at Min U's place and sleep together. Despite being complete opposites in every way there's some kind of pull between them and they go on a couple of dates. But t...
Why? Why do filmmakers sometimes get so over indulged in thinking thatchy are making such a masterpiece that they stray away from the every basis of film making that can convey the story and message that they ant to portray. This film in a random rambling and a very uninvolved piece of work, that fails to hold your attention just after the very first 10 minutes. I struggled to even comprehend what was happening and if I was seeing random scenes, what were the timelines and what really is the problem.
Will is a poet and he lives with his boyfriend Lee who is a musician. They have occasionally worked together and indulge in sexual flirtations but Lee is definitely more involved in relationship than Will is. When Lee realizes that his romantic feelings for Will cannot be fully reciprocated due to Will's sexual confusion, Lee abandons Will and moves back to his rural hometown. A year later, Will, alone, has lost motivation in his work. Lee has seemingly got himself on the right track, and has held out from relapsing on his relationship with Will. One night, Will drunkenly reaches out to Lee, leaving a video message on his phone. Lee responds by inviting him and their mutual friend Jo up to his parent's country home for the weekend. Lee struggles to decipher between his repressed feelings for Will and his hurt feelings, while Will seems preoccupied with drugs and stealing from the beer store he works for. The two navigate through a weekend of fighting, drinking, poetry, music, and reconciliation.
Yes, thats what the film pretty much is. But even this paper thin plot is hard apparently to be presented on the screen. There is no characterization. The story arc is flimsy and very underdeveloped too. You may be able to relate to a few traits of other of the two protagonists, but only if that was enough. While relatability is an important quality, perhaps stronger writing and more developed characters would have aided the film’s deeper narrative themes. The film keeps jumping back and forth and also some supporting characters keep showing up, who really add no value to the overall setting. Even the lead actors do not have the charm and charisma to hold audience's attention. Both these actors are also co writer-director of the film, so one can see how internalized this project was. We have seen films about conflicting gay relationships before but it would take much sharper writing to keep us interested in yet another variation on the theme. (2/10)

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