This is the second vertical AI BL drama I've sat through, and honestly I went in knowing better. I had it on while I was doing cardio at the gym, and what struck me was just how much the plot echoed the last one I watched. Same step brother romance angle, same mystery girlfriend showing up near the end, same extra guy pining after one of the leads. Genuinely the only thing going for it was the runtime, the whole thing wrapped up in forty five minutes flat. The setup kicks off with Finn moving schools because his mom just married into money. He finds out his new step brother Aiden goes to the same place, and he's warned to keep his distance from him. Their first run in at school is rocky, just like you'd expect, but there's this odd pull between them neither can shake off. Finn keeps telling himself not to read into it because Aiden's straight and openly homophobic. Things shift when some kids start bullying Finn and the student council president, Ryan, steps in to ...
This is a film about unconventional people and their unconventional lives. The sequence, place and chronology is out of order and it keeps moving from present to multiple flashback sequences. The film is directed in a poetic sort of way, where sometimes not much is happening but as if you are witnessing a trio's life in front of you.
We meet Stephanie, a transsexual who has been reduced to turning tricks as a prostitute. The flashbacks show her as a young boy, Pierre. We also meet her Bisexual Russian boyfriend Mikhail and another male lover Jamel, who also is dealing with some family issues while working as a gay prostitute in Paris. As the story develops, we see Stephanie leaving Paris to care for her terminally ill mother, together with Mikhail and eventually joined by Jamel. The film shows us through multiple scenes how the trio come to meet, the events of their past, how Stephanie's relationship with her mother is finally being amended. There is no end or beginning, just a beautiful relationship of three people, with no jealousy, just love and its evolution over a period of time.
The narrative is conveyed largely through the experience of Stephanie, whose triangular relationship with the two men is one built on sincere and simple respect and equality. There is no question in the film of her having to choose between the two. All three are equally compatible with each other and do not have the usual conventional jealousies and arguments. They all need love and they find some with each other. While taking care of her mother, Stephanie tries to come to terms by confronting her past and making amends with her first love and slowly piece her life together. The transsexual depiction is done with the sincerity it deserves. Stéphanie (the actress is a transsexual in real life and has never acted before) is presented not as an oddity but as just a human being for whom life has dealt some challenges. I wasn't very clear with Mikhail's story but he did portray the lonely Russian immigrant very well. Jamel's issues are probably more to do with his line of work. The film may feel simple, but with beautiful photography is quite complicated at the same time. But having said that, the film is not for everyone.
It's an unconventional love story, with some very beautiful photography about love , sexuality, compassion about three marginally social outcast individuals. Many people will be frustrated with non linear narrative and not in your face start-middle and end. But I thought, for an independent film, it was actually not bad at all. (6/10)

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