Honestly I can't believe we're still getting BL series this bad in 2026. This mini series runs about 7 to 8 episodes with a total runtime of just about an hour and it is so boring that I genuinely struggle to find the words. The actors are awkward, the story is as basic as it gets and there is almost nothing about this show worth saving. The makers do try to stir up some drama here and there but even that falls completely flat. Ho Won is a 23 year old university student who spots a man sitting alone at a gay bar and gets attracted to him. The man is Min U, a 33 year old who brushes Ho Won off immediately saying he's too young. Ho Won lies about his age and since he's made a bet with the bartender that he'll get this man home before the night is over, he switches tactics and eventually the two end up at Min U's place and sleep together. Despite being complete opposites in every way there's some kind of pull between them and they go on a couple of dates. But t...
I wish I had seen this documentary when it came out back in 2016. Having said that, now that I have seen the series 'Pose', actually its better to watch now since I can appreciate it better. This is an affectionate portrait of New York’s LGBT ballroom scene. The so-called "Kiki" scene is not just about the various competitive dance club contests. The scene provides a social structure, a "net," for kids who have nowhere else to go.
The artists dance & vogue on underground subway platforms, down half-empty streets, and on the grass at Christopher Street Pier. They pour themselves into stunningly elaborate costumes before hitting the dance floor under the eyes of hundreds of enthusiastic onlookers. The dance competitors are mostly queer and trans people of color, and "Kiki" introduces you to many of them. Twiggy and Chi Chi , two prominent leaders on the Kiki scene, introduce us to the structure of this ballroom community’s various houses, where LGBT youth form makeshift families. We meet 5 other people who have tried to break down the same barriers in their lives and activism. Divo Pink Lady describes his experience of homelessness after being thrown out by his folks, as well as the homophobia he routinely experiences. Christopher Waldorf recalls a childhood memory of dancing much to his father’s chagrin. Gia , a transgender woman whom we see at different stages of her transition, had an easier time being embraced by her family.
“Kiki” is, among other things, a record of that hostility. It’s a film of unmistakably and unapologetically political intent — not only in its focus on mostly black and Latino youth, but also its willingness to give significant emphasis to transgender issues. Kiki, ballroom and voguing isn’t just a pastime; it’s a cultural form derived from groups of LGBT people of color who have had to create their own families, clubs, and societies when they weren’t accepted in others. This documentary never lets you forget that, and never fails to pay homage to the past historical context of the scene while looking towards its future. On a flip side, the documentary keeps introducing people and takes a while to understand what is happening, and who is who.
A beautifully made documentary that takes an in-depth look at the personal lives of those who make up a fabulous and unique community. Very insightful, and a stunning, visually artistic documentary. (6/10)
The artists dance & vogue on underground subway platforms, down half-empty streets, and on the grass at Christopher Street Pier. They pour themselves into stunningly elaborate costumes before hitting the dance floor under the eyes of hundreds of enthusiastic onlookers. The dance competitors are mostly queer and trans people of color, and "Kiki" introduces you to many of them. Twiggy and Chi Chi , two prominent leaders on the Kiki scene, introduce us to the structure of this ballroom community’s various houses, where LGBT youth form makeshift families. We meet 5 other people who have tried to break down the same barriers in their lives and activism. Divo Pink Lady describes his experience of homelessness after being thrown out by his folks, as well as the homophobia he routinely experiences. Christopher Waldorf recalls a childhood memory of dancing much to his father’s chagrin. Gia , a transgender woman whom we see at different stages of her transition, had an easier time being embraced by her family.
“Kiki” is, among other things, a record of that hostility. It’s a film of unmistakably and unapologetically political intent — not only in its focus on mostly black and Latino youth, but also its willingness to give significant emphasis to transgender issues. Kiki, ballroom and voguing isn’t just a pastime; it’s a cultural form derived from groups of LGBT people of color who have had to create their own families, clubs, and societies when they weren’t accepted in others. This documentary never lets you forget that, and never fails to pay homage to the past historical context of the scene while looking towards its future. On a flip side, the documentary keeps introducing people and takes a while to understand what is happening, and who is who.
A beautifully made documentary that takes an in-depth look at the personal lives of those who make up a fabulous and unique community. Very insightful, and a stunning, visually artistic documentary. (6/10)

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