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Stop! That! Train!

Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...

My Beautiful Man: Eternal (Japanese)

After two midday successful and decent seasons of this Dom-sub (ish) love story, we see the story continue and this time in a film format. And I think the film format worked really well for our beloved characters who are also flawed. Just for a reminder, this is the story volatile romance of Hira and Kiyoi. Hira is madly, almost slave-like in love with Kiyoi and treats him as a king. Kiyoi is a TV star and enjoys the attention but also craves for love from Hira and not just his care.

By the end of season 2 we saw that the love birds were co-habitating together and Hira had started to work as an assistant to a photographer. The film continues and takes through further journey and bot more growth between these two characters. Hira's cousin is now going through a divorce and would like her home back leading to Hira and Kiyoi needing to look for a new place and hunt for it, leading to more discussions. Around the same time, the love affair of Kiyoi's female colleague becomes talk of the town disappointing fans. This makes Hira try to distance himself from Kiyoi little by little, not wanting to get in the way of Kiyoi's expanding career as an actor. But he doesn't understand how much Kiyoi wants him by his side. In the film the other main focus in on Hira's personal growth. He wants to get the biggest award in photography, but the one subject he wants to film the most, his lover Kiyoi, he is scared to even ask him, let alone photograph him. Through proper mentoring and coaching from the ace photographer, he manages to eventually overcome this fear and captures Kiyoi like no photographer has ever done. Towards the end, their love only gets stronger, where Hira is now starting to open up and also being more physical with his love and affection for Kiyoi.

When the film begins we notice that the couple has gotten used to living together. Kiyoi is a lot more direct with his affection and doesn't hide behind his tsundere ways, and Hira takes a bit more initiative this time. Hira does still idolise Kiyoi by calling him a "king" and himself a "fan", but the 'God' like status has reduced. The one thing that was very obvious in the first two seasons was the toxicity of the relationship, which has almost gone in this film version. What I appreciated was the healthy relationship between the renowned photographer and his mentorship for Hira. He is the only one who sees through Hira's brain, and coaches him to come out of shell and really go for his dream. The film definitely focuses a lot more on growth of Hira's character, which was long overdue. But besides that, the film, to be honest, is not saying much. It simply is a chapter in life of Hira-Kiyoi's growing relationship and their own personal growth and love for each other. The female star's love affair situation was too much in my opinion, but is still integral to the plot since, towards the climax in a crucial scene, we see the extent Hira will go to show his love for Kiyoi. The whole kidnapping thing towards the end was unnecessary though. The film felt rushed and I can see that probably the only reason it was made was to cash in on the popularity of the show without offering really anything new. It wasn't bad as a standalone, but nothing memorable. (6/10)

Comments

Sailor Maan said…
Just like in "Minato's laundromat", I still don't know what to think of this couple relationship. And yet finally they managed to touch me this time. Maybe I got used to whatever they are and stopped questionning.
The kidnapping felt too much at first, but I liked it when Kiyoi says "Hira is nothing like you... he is way scarier!". And then Hira loses control. Those guys are totally fucked up haha I love it.
Hira's growth was really well done, as the show was more centered on him. I wish Kiyoi deserved some more development as well (he has always been the most intriguing of the 2 for me).
Also they tried something a little bit more graphic in the cinematography at times, and I liked it.
The whole series is an UFO for me, I still don't know how to feel about it, except it's different, unique, and somewhat endearing.
Golu said…
I agree that some of these series are in the category of " I am not sure how I feel". They are not great button bad either. They offer something unique and dofferentbut at the same also have some very cliched moments.

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