This is the second vertical AI BL drama I've sat through, and honestly I went in knowing better. I had it on while I was doing cardio at the gym, and what struck me was just how much the plot echoed the last one I watched. Same step brother romance angle, same mystery girlfriend showing up near the end, same extra guy pining after one of the leads. Genuinely the only thing going for it was the runtime, the whole thing wrapped up in forty five minutes flat. The setup kicks off with Finn moving schools because his mom just married into money. He finds out his new step brother Aiden goes to the same place, and he's warned to keep his distance from him. Their first run in at school is rocky, just like you'd expect, but there's this odd pull between them neither can shake off. Finn keeps telling himself not to read into it because Aiden's straight and openly homophobic. Things shift when some kids start bullying Finn and the student council president, Ryan, steps in to ...
Ken Coolen recognizes that the ride celebrations had started to overshadow the whole activism situation at the pride parades and hence he decides to travel to places like Sri Lanka, Moscow, Poland, Canada to understand what its like there. He finds the situation a lot different in Sri Lanka, where just flying the rainbow flag can get you 10 years in jail or the lesbians are sometimes subjected to "conversion rapes". In Poland, where the European Court only recently ruled that pride celebration must be legalized, Coolen encounters anti-gay violence first-hand, as hoards of Catholics (mostly young men) angrily stomp their feet in protest of the burgeoning GLBT rights movement. Then things get really exciting in Moscow, where Russian activists must resort to skullduggery to pull off a 10-minute demonstration. He also visits places like Brazil, Switzerland, where things aren't bad and have legalized gay rights and parade marches. The film concludes with the fascinating case study of Toronto. Because Canada's GLBT movement has achieved most of its legislative victories, the organizers asked themselves: what do we march for now? The answer, they decided, was to march for international GLBT rights, highlighting the countries, and the GLBT people who live in them, who do not yet have the benefit of legal victories.
Beyond Gay: The Politics of Pride isn't saying anything particularly new or revolutionary, and sometimes it falls back on cliches and gay rights. It also ignores the many divisive issues that surround pride: the sexualization of the parades, but is still an an earnest and appealing look at the broader issue of pride. There are many other incredible stories, inspiring and deeply moving, throughout the 85-minute run time of Beyond Gay. One Jamaican man, Gareth Henry, talks of the many killings of gay men in Jamaica. There is a legitimate debate about whether corporations have any place in a Pride Parade. The documentary raises, but does not deal with in any depth, the question that has begun being debated openly about the kind of events that Pride has turned into in Western Europe, the Americas and Australia. Growing out of political struggles for GLBT rights, they have morphed into large scale commercial events that often bring in substantial tourist dollars. Also, what can western countries with more LGBT rights could do to help those that don't or how we could solve any of the other problems the film raised. (5/10)
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