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Stop! That! Train!

Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...

A Distant Place (Korean)

This is a nice and quite, slow burning drama that slowly but surely takes you deep in its layers. Yes, the film is slow, but the rural beauty of the countryside and some really god understated performances make up for it. Just be patient. The film is about individuals, relationships and how we perceive one another.

Jin Woo works and lives a quiet life in a sheep ranch somewhere in the countryside with his daughter Seol. The ranch owner and his daughter treat them as family, which also consists of the owners mother. Soon after, Jin Woo’s male friend Hyun Min arrives at the ranch, and reveals that the two have been long-time lovers. Except no one knows about their relationship and they try to keep it quiet. They dream of living happily with Seol in this peaceful place. However, with Jin Woo’s twin sister Eun Young’s visit, the conflict begins. In fact, Seol is Eun Young’s daughter but Jin Woo has been raising her because Eun Young disappeared. Conflicts internal and external start happening, starting with old lady's death, and town people finding out truth about Jin-Woo's sexuality. They become exclusive and discriminatory as they learn about the truth of the two men. Even the intentions of family members, who thought they knew each other well, feel like ‘a far place.’ Worse is when Jin Woo cannot take it anymore and the couple has a bad fight where he blames his boyfriend for everything. The boyfriend leaves him and soon his daughter is also supposed to go live with her real mother.

The ranch and its surrounding area provide a number of lovely sceneries to be admired, just like the characters and their story and how it unfolds. We are never given the backstory of the two lovers but it is not important. They met in college but for some reason Jin Woo moved here and now his partner wants to be closer to him. That is clear. My problem with the film is that if the idea was to make a queer film, which is what it feels, there was too little focus on it and it got crowded with a a lot of other characters and focus on them. Maybe that was the intention. How I wish the focus was more on the couple, the kid, the love but it also felt the makers wanted to have a good focus on the ranch owner and his family, which to be honest could have been reduced a lot. But, besides this, the film has a undercurrent of poetic vibe going on, which is not surprising given that the boyfriend teaches poetry. I would definitely recommend this film, if you have enjoyed slow burning films like God's Own Country. It definitely is not a match to that one, because of not going too deep in exploration of the entire queerness of the cinema, but nevertheless it does make for a good and beautiful watching experience. (7/10)

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