Honestly I can't believe we're still getting BL series this bad in 2026. This mini series runs about 7 to 8 episodes with a total runtime of just about an hour and it is so boring that I genuinely struggle to find the words. The actors are awkward, the story is as basic as it gets and there is almost nothing about this show worth saving. The makers do try to stir up some drama here and there but even that falls completely flat. Ho Won is a 23 year old university student who spots a man sitting alone at a gay bar and gets attracted to him. The man is Min U, a 33 year old who brushes Ho Won off immediately saying he's too young. Ho Won lies about his age and since he's made a bet with the bartender that he'll get this man home before the night is over, he switches tactics and eventually the two end up at Min U's place and sleep together. Despite being complete opposites in every way there's some kind of pull between them and they go on a couple of dates. But t...
When I started watching this film, it kept reminding me of the UK mini series that I had seen sometime back called Des, which I had reviewed here. The similarities were quite striking but since the names of characters name was different, I couldn't be sure. And No wi read that indeed this film also was a fictional account of the same serial killer Denis Nielsen (here named Jordan March), who disposed of at least 13 young loners and losers.
February, 1983. Detectives are called to a residential address in the London suburbs following reports that the drains have been clogged by human remains. One of the property’s residents, Jordan March is called in for questioning. Slowly he accounts for how he lured young gay man, mostly homeless and jobless, got them into his apartment and eventually kill them. He would bury them under his floorboards and take them out and sometimes sleep with them or just sit with them till the bodies get too smelly.
The film is shot in a very documentary like style without any high production thrills. In fact the photography is often grainy and dim, but it does capture the sleazier late eighties London night life with a raw beauty. The film looks much older than it really is and I am told that this was done on purpose (I wonder why since personally for me , that doesn't work). One thing that's missing here is any overt reflection on the homophobia prevalent at the time. We encounter it only through its secondary effects: the number of young queer men drifting through life with no-one to look out for them. The interrogating officer goes from plain mad to somber to arrogant, which I presume was the situation of the detectives those days in dealing with a criminal like this man. Also we do see trippy flashbacks to Jordan’s childhood where he witnessed the death of his grandfather, presumably triggering his various morbid fascinations that we never really get any background on. Something seemed to be missing in the film, since it never really went deep into the why's and psyche of the characters. Interestingly, even the victims were not shown as likable characters for some off reason.
I would recommend to give this one a miss and watch Des instead. Brilliant acting with a detailed account of exactly what happened, this experimental film instead leaves a lot to be desired. (3/10)

Comments