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Stop! That! Train!

By Golu
Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...
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An Englishman in New York (UK)

By Golu

I didn't realize till the very end that this film was actually a biographical film that chronicles the years gay English writer Quentin Crisp spent in New York City. I have to be honest that I know nothing about this man. Apparently, he is sort of a pioneer for gays as the man who dared to wear makeup in London even back in 30s and who has a way of saying things that just make sense. 

Quentin Crisp decides to move to New York on 70s since according to him its the closest place to heaven on earth. He is embraced by celebrities and artists where he is picked up by an agent to make appearances and shows and his fan following starts increasing. Crisp's spontaneous words of wit and wisdom earn him an high place in the gay community with regular appearances on radio and TV. He even starts writing a column for newspaper and becomes real close friends with editor Tom Steel. When he makes a comment that "AIDS is a fad, his gay audience, now starting to really suffer from the epidemic, turns away from him. Declining to retract or explain his remark, Crisp is dropped by his agent and editor until his eyes are opened when he gets to know young artist Patrick Angus, who is dying of AIDS. Crisp feels same dejection he did in UK. Its Penny Arcade, who brings him back on stage in 90s and he instantly again becomes popular in the gay community with ample support from loyal friend Steele.

Despite knowing nothing about the man, I have to admit that I am very very impressed by the film. Not sure why, but there were dialogues and instances which touched me and spoke to me in ways where many films have not. And the lead actor, oh my god!, he is just brilliant! The lively flamboyant portrayal is almost flawless, and it captures his larger than life personality really well. Simultaneously through the chapter of Patrick Angus, we also do see the rich humane side of him as well. Reading more about the person after watching the film, I believe the film really doesn't explore how much of intolerance and rejection Crisp really hah to face after his "fad" comment. And I can very well imagine. This film is about friendship, relationship, showmanship and ageing and it's still very warm and touching, witty and charming. The story could have been crispier and some events explained more for people like me who are not too aware of the real person but besides that this is a beautiful film.

I would highly recommend the film, and a lot because of the lead's performance. It not always that a gay man's doubts and loneliness and portrayed so accurately. (7.5/10)

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