This is the second vertical AI BL drama I've sat through, and honestly I went in knowing better. I had it on while I was doing cardio at the gym, and what struck me was just how much the plot echoed the last one I watched. Same step brother romance angle, same mystery girlfriend showing up near the end, same extra guy pining after one of the leads. Genuinely the only thing going for it was the runtime, the whole thing wrapped up in forty five minutes flat. The setup kicks off with Finn moving schools because his mom just married into money. He finds out his new step brother Aiden goes to the same place, and he's warned to keep his distance from him. Their first run in at school is rocky, just like you'd expect, but there's this odd pull between them neither can shake off. Finn keeps telling himself not to read into it because Aiden's straight and openly homophobic. Things shift when some kids start bullying Finn and the student council president, Ryan, steps in to ...
Hyeon, is a 30-something man, married, working as a part time teacher but really enjoys writing poetry. His poems are full of beautiful expressions but lack depth and passion. Their financial condition is not the best but his wife has decided that she wants to have a child. He is not a very sexual person and hates the idea of sex even for a child and they eventually start going for IVF, since thats what his wife demands. HIs mundane boring life and his libido suddenly spike when he watches the boy in the newly opened doughnut shop making out with another girl. He is excited and confused by this and decides to stalk and make contact with the boy. The boy also comes from a poor family, with an ailing father to be taken care of that and very sad and angry mother. He sort of becomes a friend for the boy helping with food and groceries. The boys becomes his muse and his poetry improves drastically but Hyeon never makes any sexual move. He wants to care for him and support him in any way possible. The wife finds about it, tries to be as supportive as possible. Eventually when she becomes pregnant, Hyeon has a difficult choice to make. The wife asks the boy to leave Hyeon's life and the two men eventually drift apart only to meet 1-2 years later. And as always Hyeon helps the boy financially to start out a new life in the city.
The story is interesting, as you can see, and it's mostly done right. I was pleasantly surprised with the openness of conversations between Hyeon and his wife about each and every single issue including money, sex, love and even him possibly being gay. Rather than being about sexuality, the film is about loneliness and our need for company and someone who can take care of us. Of course, people will question on why a 30s man is taking an interest in a young boy. And to be honest, the interest starts with a sudden sexual attraction but eventually grows into something more tender than that when the boy gives our poet so much inspiration to bring in depth and passion in his poetry. And it's really hard to explain what you would call this nature of relationship. The movie stays vague about his sexuality, which we see in a scene when he tells his wife that if anything, he is bisexual. But then, we see he is just not a sexual person overall. If not for the drama in the last 30 minutes between the wife and boy and others, this movie could have had ranked much higher. And the poems probably make lot more sense in the native language than with English subtitles. Nevertheless, the story brings sensitivity to an artists life. The duration of the film needs to be trimmed as well.
Relationships may be inspiration for many artists. The film tells us to love the person for who they are and not for how useful they can be for you. (6/10)
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