This is the second vertical AI BL drama I've sat through, and honestly I went in knowing better. I had it on while I was doing cardio at the gym, and what struck me was just how much the plot echoed the last one I watched. Same step brother romance angle, same mystery girlfriend showing up near the end, same extra guy pining after one of the leads. Genuinely the only thing going for it was the runtime, the whole thing wrapped up in forty five minutes flat. The setup kicks off with Finn moving schools because his mom just married into money. He finds out his new step brother Aiden goes to the same place, and he's warned to keep his distance from him. Their first run in at school is rocky, just like you'd expect, but there's this odd pull between them neither can shake off. Finn keeps telling himself not to read into it because Aiden's straight and openly homophobic. Things shift when some kids start bullying Finn and the student council president, Ryan, steps in to ...
This was such a random experimental film. These are the kind of films that make me wonder that in the name of "different" cinema, some film makers are ready to offer all sorts of garbage and expect that audiences should lap it up. Come on.. we are better than that.
The film starts with a documentary style focusing on 22-something Chinese gay film maker who talks about his work and love life with an unseen friend behind the camera. The maker also gives an ode to his mother. Before you realize, the film shifts to showing 4 of the directors short films. "Hysterio Passio" shows images of men's passions. In "Matricide," a lawyer asks a young gay Chinese why he killed his mother on Christmas morning. In "Key in the Heart," a heroine (an Asian man in drag) pursues vampires. In "Fall, 1990," college students meet their roommates, and Jimmy, an edgy scholarship boy without a family, is slowly brought to an understanding of love by the callow Byron.
Yes, this is what the above film is about. A sheer waste of time. I had to fast forward and watch this piece of garbage. Besides the last short film, which was actually pretty decent, everything else about this film is total rubbish. The producers of this film need to extract the last short and release it as an individual gay short film and they will make more money. I really don't feel like wasting anymore of my energy by writing anything more about this film. Please don't waste your time on this one at all. (2/10)
The film starts with a documentary style focusing on 22-something Chinese gay film maker who talks about his work and love life with an unseen friend behind the camera. The maker also gives an ode to his mother. Before you realize, the film shifts to showing 4 of the directors short films. "Hysterio Passio" shows images of men's passions. In "Matricide," a lawyer asks a young gay Chinese why he killed his mother on Christmas morning. In "Key in the Heart," a heroine (an Asian man in drag) pursues vampires. In "Fall, 1990," college students meet their roommates, and Jimmy, an edgy scholarship boy without a family, is slowly brought to an understanding of love by the callow Byron.
Yes, this is what the above film is about. A sheer waste of time. I had to fast forward and watch this piece of garbage. Besides the last short film, which was actually pretty decent, everything else about this film is total rubbish. The producers of this film need to extract the last short and release it as an individual gay short film and they will make more money. I really don't feel like wasting anymore of my energy by writing anything more about this film. Please don't waste your time on this one at all. (2/10)

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