Honestly I can't believe we're still getting BL series this bad in 2026. This mini series runs about 7 to 8 episodes with a total runtime of just about an hour and it is so boring that I genuinely struggle to find the words. The actors are awkward, the story is as basic as it gets and there is almost nothing about this show worth saving. The makers do try to stir up some drama here and there but even that falls completely flat. Ho Won is a 23 year old university student who spots a man sitting alone at a gay bar and gets attracted to him. The man is Min U, a 33 year old who brushes Ho Won off immediately saying he's too young. Ho Won lies about his age and since he's made a bet with the bartender that he'll get this man home before the night is over, he switches tactics and eventually the two end up at Min U's place and sleep together. Despite being complete opposites in every way there's some kind of pull between them and they go on a couple of dates. But t...
When I started watching the film, I wasn’t aware of it being a sequel. Only 15 minutes into the film, I realized the fact and so had to go read my review of the original film to jog my memory. Now that I remembered the original story, this film started to make more sense. This time, however, the focus of the movie isn't really the gay guys; but it's the women dealing with the aftermath of how the first movie ended. Of course, gay characters are still integral to this story.
The new gay on the block Eli, kind of accidentally rents himself Corin & Jake’s old apartment. He interviews with Judith (Elliot’s mom) and somehow starts getting injected into Eliott’s life. Judith’s negative attitude toward her son's sexuality in the first film was a chief ingredient to the tragedy that ensued. Enter an old man, George, who is introduced as Eli’s father, starts dating Corin’s former co-worker Nancy. But something doesn’t feel right. Neither father-son relationship and nothing else. When murders start happening, it is soon revealed that George is actually Eliott’s father, Judith’s ex-husband who had left family years ago when he had come out. Eli was just his sugar baby who he was paying.
October Moon was one of the better low-budget films I've watched, with a decent plot, locations, and acting. This sequel, however, just wanders about till the very end when something meaningful happens.It is more like a B-grade horror movie with an unrealistic plot, and terrible acting and direction. I feel so robbed of my precious 90ish minutes that even writing this review seems a task now. It's one of those dreary productions which is all talk with no 'meat' to the story and not even decent horror to talk about.
This one is totally avoidable even if you thought the prequel was a decent film, which it was. (2.5/10)
The new gay on the block Eli, kind of accidentally rents himself Corin & Jake’s old apartment. He interviews with Judith (Elliot’s mom) and somehow starts getting injected into Eliott’s life. Judith’s negative attitude toward her son's sexuality in the first film was a chief ingredient to the tragedy that ensued. Enter an old man, George, who is introduced as Eli’s father, starts dating Corin’s former co-worker Nancy. But something doesn’t feel right. Neither father-son relationship and nothing else. When murders start happening, it is soon revealed that George is actually Eliott’s father, Judith’s ex-husband who had left family years ago when he had come out. Eli was just his sugar baby who he was paying.
October Moon was one of the better low-budget films I've watched, with a decent plot, locations, and acting. This sequel, however, just wanders about till the very end when something meaningful happens.It is more like a B-grade horror movie with an unrealistic plot, and terrible acting and direction. I feel so robbed of my precious 90ish minutes that even writing this review seems a task now. It's one of those dreary productions which is all talk with no 'meat' to the story and not even decent horror to talk about.
This one is totally avoidable even if you thought the prequel was a decent film, which it was. (2.5/10)

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