Honestly I can't believe we're still getting BL series this bad in 2026. This mini series runs about 7 to 8 episodes with a total runtime of just about an hour and it is so boring that I genuinely struggle to find the words. The actors are awkward, the story is as basic as it gets and there is almost nothing about this show worth saving. The makers do try to stir up some drama here and there but even that falls completely flat. Ho Won is a 23 year old university student who spots a man sitting alone at a gay bar and gets attracted to him. The man is Min U, a 33 year old who brushes Ho Won off immediately saying he's too young. Ho Won lies about his age and since he's made a bet with the bartender that he'll get this man home before the night is over, he switches tactics and eventually the two end up at Min U's place and sleep together. Despite being complete opposites in every way there's some kind of pull between them and they go on a couple of dates. But t...
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The play follows story of 4 childhood friends set in Texas. Each one of them struggles with his sexuality in a varying way. Mark, who also serves as narrator, questions the Baptist church that preaches love and forgiveness while decrying homosexuality; Benny fully embraces his gayness, growing up to become a flamboyant drag queen entertainer; TJ (Mark's first love) desperately tries to deny who he is, eventually getting married to a woman; and Andrew, the most troubled of the group, wrestles with the conflicting demands of his faith and his sexuality with ultimately tragic results. In addition to these we have an older gay man Peanut and his best friend, an alcoholic Odette, who humorously discuss their lives and comment on the proceedings during numerous sessions at a gay bar. We see how the boys interact, trying to teach each other a thing or two, help each other, support each other; we also see families reactions and how ultimately it affects all their lives.
It i snot easy to sit through this long movie/play, specially when there are a lot of monologues that keep coming one after the other. But its the humour by the old friends in a gay bar that keeps the goings alive. We do get to witness the pain, anguish and sufferings by the boys and what they all are going through. It is a good mix of pain and humour. Sometimes the pain comes abruptly in the midst of the comedy, but it is the real pain known all too well by young queers trying desperately to understand who they are and what other people think of them. The message of Sissies is one of hope and healing for those who grew up in the church. An unflinching portrayal of the kind of damage the church continues to do even more strongly today. The performances by all actors is incredible and praise worthy and kudos to the makers for bringing out something so important to a wider audience.
The format of the play will unfortunately find a very niche audience for the film but sensitive performances and an important subject warrant a viewing. (6/10)
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