Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...
After a few minutes into the film (About 30 minutes or so), I could not take this movie any more. The lead character's meeting new a person in a different city, one after the other, was becoming too much of a problem for me. I just did not care anymore of where he is going to go next and who is he going to meet. And when you stop caring about what the characters do in their film, there is very little to hold your interest in the film.Breaking off concurrent relationships with an older woman and her son, we are introduced to Daniel, as he prances around London thinking he's God's gift to man and woman. But his freewheeling existence is put into question when his eccentric grandmother, the one person he genuinely cares for, sends him on a wild-goose chase to locate her father's grave. Traveling through Paris, Berlin, Prague, Budapest, Belgrade in Serbia and Sofia in Bulgaria, he learns a thing or two about life. He meets new people in every country and invariable forms some sort of sexual relationship with them irrespective of their gender. He discovers that feelings of true romantic love can exist, even for someone who can't reciprocate. He also receives valuable history lessons about his Jewish heritage, which in the past meant very little to him.
As I mentioned before, the moviegoer might find himself trapped and wearied by this repetitively stop-and-go script. What could have been a point of focus feels almost hackneyed by the conclusion. Some changes in Daniel's personality are illustrated nicely. It humbles him to a point where he begins to take pride in his heritage and what his great-grandfather had done to help preserve it. Nevertheless, Daniel is quiet about his new consciousness. The actor playing the part of Daniel does his job fine but when the script itself is flawed, the actors cannot get above the rest. By the time the frustratingly silly ending arrives, it's confirmed that "Shem," which translates to "name" in Hebrew, is just as confused as its protagonist.
If you have been liking the kind of films that I like, then you might want to stay away from this one. (2/10)
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Cheers.