Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...
Its been a long time since I saw a gay film. I just finished watching this one and let me tell you that it was a major disappointment. The story line was interesting but there was a lot of shouting and screaming for no reason. Plus the film never leaves the huge house in Malibu which restricts the viewers.
Den and Collin are a couple. Den is a closet TV star and Collin is much much younger to him. Collin who used to be a dancer met with an accident and is now on wheelchair. Enter David, a swaggering 16-year-old homophobe who unexpectedly arrives at their doorstep. His arival sets in new hardships for the couple wherin Den has to suddenly realize and act being a dad and deal with David's instant hatred for Collin because he thinks he is too young. Together the 3 of them have to figure out a way to accept each other's presence and live like a family. The film also has characters in David's grandmother and the couple's fag hag.
The biggest problem with the film is that it is very thetre like. In a theatre setting the subject and treatment is perfect. At times it feels who are watching a recording of a theatre play but reality is different. If the director is adapting a play as a film, you should modify and add things to it to make it more appealing to a wider audience. There are long stretches of just people talking and talking and more talking which just drags on after a while. And what's with the screaming form the 16 year old kid. Who does that in real life. It was very odd.
I would recommend to stay away from this one. (2/10)
Comments