Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...
On paper it did sound like a decent idea to have minimal dialogues in a film and focus more on relationships just through scenes and emotions but Gosh! what a failed attempt this one was. We're examining a gay love affair and nothing else.
Gerardo picks up Jonas in a playing field at the university and the passionate kisses and embraces and the sex begin right away. Then Jonas starts averting his face when Gerardo tries to caress or kiss him. And yet they're still regularly sleeping together. Sergio, a slightly older man, a tall, dark, brooding fellow, even easier on the eyes than the other two enters the scene now. He has already watched the pair play hide and seek in the library stacks when he was installing a light bulb. Jnas takes up liking for Sergio but can't get his attention. Sergio on the other hand has wanted Gerardo for a long time. Gerardo and Jonas are falling apart. Gerardo and Sergio become a couple and then again Jonas begins to long for Gerardo again.
Like I mentioned the movie is weird because it barely has dialogues. The director has said that the reason there is so little dialogue is that the moments he chose to capture were the ones between the dialogue; before the characters felt the need to speak, and after they had said all there was to say. But I dont agree. This one was a slow opera type movie which is totally not the kind that I like.
I would suggest, stay away. (2/10)
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