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Stop! That! Train!

By Golu
Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...
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The Long Day Closes (UK)

By Golu
This was a very very odd film. Set in 1950's, The film just goes through the life of a young teenage boy names Bud. He lives with his extended family in UK who run some o kind of restaurant etc. He is all alone and the movie just depicts his loneliness. Bud is a lonely and quiet child whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality. His world is influenced by his mother, sister and brother. The film just walks us through glimpses of his childhood (which could be autobiographical). These kind of movies most of the times dont make sense to me. I think this is director's over indulgence with himself that draws him to make these kind of movies. I mean the movie just goes nowhere. It is a series of mood scenes, perhaps remarkable as such, but I want more from a film. I look for story and movement and a fulfillment of arrival, none of which did I find in this film. You can avoid this film if you are like me. (1/10)
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