This is the second vertical AI BL drama I've sat through, and honestly I went in knowing better. I had it on while I was doing cardio at the gym, and what struck me was just how much the plot echoed the last one I watched. Same step brother romance angle, same mystery girlfriend showing up near the end, same extra guy pining after one of the leads. Genuinely the only thing going for it was the runtime, the whole thing wrapped up in forty five minutes flat. The setup kicks off with Finn moving schools because his mom just married into money. He finds out his new step brother Aiden goes to the same place, and he's warned to keep his distance from him. Their first run in at school is rocky, just like you'd expect, but there's this odd pull between them neither can shake off. Finn keeps telling himself not to read into it because Aiden's straight and openly homophobic. Things shift when some kids start bullying Finn and the student council president, Ryan, steps in to ...
In a time, when Islam is under tremendous attack-from within and without-'A Jihadfor Love' is a daring documentary-filmed in twelve countries and nine languages. Muslim gay filmmaker Parvez Sharma has gone where the silence is strongest, filming with great risk in nations where government permission to make this film was not an option. A Jihad for Love is the first-ever feature-length documentary to explore the complex global intersections of Islam and homosexuality.
Th film follows through the lives of few gay Muslim men and the trials and tribulations that they have ha to face in life because of being gay. They are from various Muslim countries and various society levels. Jihad for Love doesn't seek to vilify or reject Islam, but rather negotiate a new relationship to it. In doing so, the film's extraordinary characters point the way for all Muslims to move beyond the hostile, war-torn present, toward a more hopeful future. The individuals we meet only too briefly in the film are remarkable not just for their courage but in also the honesty with which they approach the camera. The thematic elements of weaving in celebration and despair are remarkable and the filmmaker successfully engages with a wide canvas of possible audience emotions.
Its definitely a film that is an eye-opener. (6/10)
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