Honestly I can't believe we're still getting BL series this bad in 2026. This mini series runs about 7 to 8 episodes with a total runtime of just about an hour and it is so boring that I genuinely struggle to find the words. The actors are awkward, the story is as basic as it gets and there is almost nothing about this show worth saving. The makers do try to stir up some drama here and there but even that falls completely flat. Ho Won is a 23 year old university student who spots a man sitting alone at a gay bar and gets attracted to him. The man is Min U, a 33 year old who brushes Ho Won off immediately saying he's too young. Ho Won lies about his age and since he's made a bet with the bartender that he'll get this man home before the night is over, he switches tactics and eventually the two end up at Min U's place and sleep together. Despite being complete opposites in every way there's some kind of pull between them and they go on a couple of dates. But t...
In a time, when Islam is under tremendous attack-from within and without-'A Jihadfor Love' is a daring documentary-filmed in twelve countries and nine languages. Muslim gay filmmaker Parvez Sharma has gone where the silence is strongest, filming with great risk in nations where government permission to make this film was not an option. A Jihad for Love is the first-ever feature-length documentary to explore the complex global intersections of Islam and homosexuality.
Th film follows through the lives of few gay Muslim men and the trials and tribulations that they have ha to face in life because of being gay. They are from various Muslim countries and various society levels. Jihad for Love doesn't seek to vilify or reject Islam, but rather negotiate a new relationship to it. In doing so, the film's extraordinary characters point the way for all Muslims to move beyond the hostile, war-torn present, toward a more hopeful future. The individuals we meet only too briefly in the film are remarkable not just for their courage but in also the honesty with which they approach the camera. The thematic elements of weaving in celebration and despair are remarkable and the filmmaker successfully engages with a wide canvas of possible audience emotions.
Its definitely a film that is an eye-opener. (6/10)
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